
Upcoming Events
Tiki Tuesdays
November 18 @ 4:00 pm - 9:00 pmPitch Dark
November 20 @ 7:30 pmWillie Watson
November 21 @ 7:30 pmThe Next Waltz
November 22 @ 8:00 pmTiki Tuesdays
November 25 @ 4:00 pm - 9:00 pm

November 18 @ 4:00 pm - 9:00 pm
November 20 @ 7:30 pm
November 21 @ 7:30 pm
November 22 @ 8:00 pm
November 25 @ 4:00 pm - 9:00 pm
From the searing honesty of “Already Gone” to the sly wit of “Slim and the Devil,” Watson uses his deep roots in folk music to tell his own story—one shaped by hardship, healing, and hope. With the hat off and nothing to hide, he finally sounds like himself.
Music has the power to move us—physically, emotionally, and spiritually. For SunSquabi—Kevin Donohue , Josh Fairman , and Scotty Zwang —that power lives in the unspoken language they share on stage and in the studio. With millions of streams and high-energy performances at venues like Red Rocks Amphitheatre, they’ve carved out a space where electronic production, jam-band freedom, and funk-rooted grooves collide.
Ace builds off of the success of Revealer (2022), a darkly funny portrait of an artist that won Cunningham her GRAMMY for “Best Folk Album,” but it is a different record. A slow burn until it wasn’t. It follows a period of writer's block. On Revealer and her debut album Who Are You Now (2019), Cunningham says that she was writing songs about heartbreak, but they weren’t about her heartbreak. They were sketches, observations. Cunningham wanted Ace to be emotions first. Heartbreaking and lush and bold.
With curly tufts of a recognizable Jewfro peeking out from his omnipresent knit cap, Andy Frasco is a cross between John Belushi’s “Joliet” Jake Blues and Jimmy Buffett. He’s a band-fronting, songwriting party animal who turns into a swirling rock ‘n’ roll Tasmanian Devil onstage leading his U.N., not unlike Bruce Springsteen and the E-Street Band. From switching instruments mid-song to Frasco stagediving into the crowd or kibitzing with them, an Andy Frasco & The U.N. show is a celebration of inclusivity and tolerance where “You do You” and “let us do us.”
Born and raised on a small farm in Lee County Iowa, a love of the land has always been an important part of William Elliott Whitmore’s life. An appreciation for nature and its cycles being taught from an early age. That awareness of birth and death is a constant theme in the songwriting, through a lens of hopefulness and acceptance. These things unify us as people, a theme that is often explored in the music. With a banjo, guitar and kick drum, Whitmore seeks to convey these ideas. For over twenty years he has traveled the world, performing everywhere from Rome, Italy to Rome, Georgia. He’s played basements, backyards, festival stages, and Carnegie Hall, and has no plans to stop anytime soon. “Life is hard, nasty, and unforgiving at times”, Whitmore says, “but it’s beautiful too, and music can be a reminder of what we all have in common, a desire to keep putting one foot in front of the other.”
Hayes Carll isn’t preaching or teaching. He’s not interested in telling the rest of us what to do or think. But he is charting out a personal guide for his life, quieting the noise, and sitting with his real voice - the one that’s candid, consistent, and often inconvenient.
We’re Only Human is Carll’s tenth album. Like his best lyrics, it is also an understated masterpiece, an honest snapshot of one man’s confrontation and delight with humanity’s biggest and most intimate questions. Where do we find forgiveness for ourselves and grace for others? How do we hold on to peace of mind and stay present? What can we—and should we––trust? And how can we moor ourselves to, well, ourselves, in the midst of confusing, trying times? We’re Only Human offers audiences the chance to listen to Carll as he listens to himself.
Vincent Neil Emerson has become a staple among folk and country music fans nationwide, celebrated for his honest tales of life on the road, heartbreak, and struggles of all sorts. His first LP, Fried Chicken & Evil Women, from 2019, established him as a refreshing voice in the modern country music landscape. The songs from that first album were charming and playful songs, but didn't reveal the entirety of Emerson's story.
On his brilliant new album, The Golden Crystal Kingdom, Emerson transcends the role of a honky-tonk country singer and becomes a chronicler of his history. The album is a bold continuation of the story he tells on Vincent Neil Emerson, with songs like the title track exploring the feelings he was left with after his days spent playing in Texas honky-tonks and dancehalls, and the track "The Time of The Rambler," inspired by the early days of living in his car and busking on the streets.
Cyril Neville is one of the founding fathers of the New Orleans signature funky soul, rock jazz sound that has influenced countless artists and entertained millions of fans over his 5- decade career. Mr. Neville is a vocalist, songwriter, percussionist, painter, cultural icon and activist who richly deserves his Grammy Lifetime Achievement Award.
AJ Lee & Blue Summit are an award-winning energetic, charming, and technically jaw-dropping band quickly rising on the national roots music scene. Based in Santa Cruz, California, the group met as teenagers, picking and jamming together as kids at local music festivals and jams until one day, they decided they would be a band.
David Ramirez took a little time to get back to himself, and now he’s dead set on making music for himself—for the sake of the music, and nothing else.
“I love all the records I’ve made in the past,” says Ramirez. “But in making them, there was always the thought in the back of my mind of where and what it could get me. I made both creative and business decisions with a goal in mind; a goal that often never came. This time it was all about just the joy of making it, about having fun with it.”
The Austin, TX-based singer-songwriter—whose career has seen six full-length studio albums, three EPs, countless collaborations, and an illustrious supergroup project in Glorietta—spent a season of rest away from his focus on writing songs. In the wake of the end of a long relationship, he wanted to prioritize processing his grief as a human, not as an artist bleeding onto the page.