
Upcoming Events
Patio Music Series – Queen Bee
June 7 @ 5:00 pm - 8:00 pm
Joni Mitchell: Take Me As I Am
June 7 @ 7:30 pm
It’s a Garden Party!
June 8 @ 2:00 pm - 8:00 pm
Mike Zito
June 10 @ 7:30 pm
PRIDE Drag Bingo
June 11 @ 7:00 pm - 9:00 pm
Pedrito Martínez…is a source of rhythmic delight and inspiration… an incomparable performer… a traditional Afro-Cuban music superstar – The New York Times
The Meditations, a legendary Jamaican harmony trio formed by Ansel Cridland, Danny Clarke, and Winston Watson, made their mark on reggae history with their 1974 hit Woman Is Like a Shadow and classic albums like Message From The Meditations and Wake Up. Renowned for their rich harmonies, they collaborated with icons such as Lee "Scratch" Perry, Bob Marley, Jimmy Cliff, and Gregory Isaacs, contributing background vocals to iconic tracks like Punky Reggae Party and Rastaman Live Up.
North Carolina-based artist Rosali makes songs that take their time in revealing their full power. What might first appear to be restrained, introspective compositions will stretch slowly outward, snagging your attention with a subtly sideways guitar lead or an exceptionally raw lyric you didn’t catch the first time around.
Fronted by Zack and Dani Green along with Brian Seligman and Chris Wilson, Birdtalker made their whirlwind debut in 2018 with One featuring their breakout single "Heavy" (now over 95 million streams worldwide). Rolling Stone hailed it as “infectious and sprightly” and NPR Music called it “such a beautiful record” while also earning similar praises from Billboard, World Cafe, American Songwriter, and Relix among others. The release led to non-stop touring, festival appearances, and even their debut performance at the Grand Ole Opry.
Pile formed in 2007 as Maguire’s solo outlet, soon joined by time-warping drummer Kris Kuss (in 2009) and fuzzed-yet-melodic bassist Matt Connery (in 2010), among other friends; with its explosively intricate take on heavy music, the band found devoted fans amid Boston’s bustling punk scene. Since then, Pile’s released eight acclaimed albums, each showcasing different facets of its members’ talents.
After a celebrated run through the 2010s that cemented his place in modern Americana, John Moreland took a sharp turn in the 2020s, first with 2022’s experimental Birds In The Ceiling and then by stepping away from music entirely for a year of rest and digital detox. That sabbatical birthed Visitor (2024), a raw, home-recorded folk-rock album that reconnects with the emotional immediacy of his early work while tackling the spiritual and societal costs of modern life.
Wednesday is a band from North Carolina led by Karly Hartzman, with guitarist MJ Lenderman, bassist Ethan Baechtold, drummer Alan Miller, and pedal steel player Xandy Chelmis. Half-funny, half-tragic dispatches from the American South unfurling somewhere between the wailing skuzz of Nineties shoegaze and classic country twang, Wednesday’s music defies categorization. Hartzman calls it “creek rock” – there are sleepy country-imbued love songs, moments of screaming hardcore propulsion, distorted pedal steel and Hartzman’s sweet voice slicing through the din.
Nicotine Dolls make the kind of music you can’t hide from. The storytelling is front-and-center, beckoning your attention like a dusty old novel you can’t put down until the last page. The vocals are gritty and honest, holding nothing back in fits of joy, regret, and sadness similar to a phone call from one of your best friends at 3 am.
Arlie is an indie-pop band based in Nashville, Tennessee, known for their vibrant blend of retro-pop melodies and modern production. The project began in 2015 as the solo endeavor of Nathaniel Banks, who was a student at Vanderbilt University. Initially, Banks recorded music in his dorm room, but as the project gained traction, he expanded it into a full band. By 2017, Arlie had evolved into a live act, performing with members including Carson Lystad (guitar), Adam Lochemes (drums), and Tyler Waters (multi-instrumentalist).
Sunday November 2, 2025 • 7:30 pm
DOORS 6:30pm • 21+ WITHOUT PARENT OR GUARDIAN
Tickets: $38—$43 plus service fee, General Admission
The ever-evolving musical vehicle for notorious psych-rock musician Anton Newcombe, the Brian Jonestown Massacre has endured numerous phases and iterations since arriving in the mid-'90s, becoming something of an independent institution in the process. Early highlights like 1996's Their Satanic Majesties' Second Request showed Newcombe's propensity for melding late-'60s psychedelia with textured shoegaze, while later standouts like 2015's imaginary soundtrack Musique de Film Imaginé took a more cerebral and experimental approach.