
Upcoming Events
BROWN BOY
November 28 @ 8:00 pmCanyon Road Blues Jam
December 4 @ 6:00 pmLove Unfold the Sun
December 6 @ 7:30 pmWinterlude
December 12 @ 7:30 pm

November 28 @ 8:00 pm
December 4 @ 6:00 pm
December 6 @ 7:30 pm
December 12 @ 7:30 pm
Based out of Albuquerque, NM, the Burque Jazz Bandits bring you fun danceable swing music from the 1920's-40's hot jazz with toe- tapping rhythms, sizzling instrumentals, and passionate vocals.
A Benefit Show
Door Prizes | Music | Beer!
Proceeds go to the Indigenous and Hispanic Youth Fly Fishing Camps
With curly tufts of a recognizable Jewfro peeking out from his omnipresent knit cap, Andy Frasco is a cross between John Belushi’s “Joliet” Jake Blues and Jimmy Buffett. He’s a band-fronting, songwriting party animal who turns into a swirling rock ‘n’ roll Tasmanian Devil onstage leading his U.N., not unlike Bruce Springsteen and the E-Street Band. From switching instruments mid-song to Frasco stagediving into the crowd or kibitzing with them, an Andy Frasco & The U.N. show is a celebration of inclusivity and tolerance where “You do You” and “let us do us.”
Born and raised on a small farm in Lee County Iowa, a love of the land has always been an important part of William Elliott Whitmore’s life. An appreciation for nature and its cycles being taught from an early age. That awareness of birth and death is a constant theme in the songwriting, through a lens of hopefulness and acceptance. These things unify us as people, a theme that is often explored in the music. With a banjo, guitar and kick drum, Whitmore seeks to convey these ideas. For over twenty years he has traveled the world, performing everywhere from Rome, Italy to Rome, Georgia. He’s played basements, backyards, festival stages, and Carnegie Hall, and has no plans to stop anytime soon. “Life is hard, nasty, and unforgiving at times”, Whitmore says, “but it’s beautiful too, and music can be a reminder of what we all have in common, a desire to keep putting one foot in front of the other.”
Hayes Carll isn’t preaching or teaching. He’s not interested in telling the rest of us what to do or think. But he is charting out a personal guide for his life, quieting the noise, and sitting with his real voice - the one that’s candid, consistent, and often inconvenient.
We’re Only Human is Carll’s tenth album. Like his best lyrics, it is also an understated masterpiece, an honest snapshot of one man’s confrontation and delight with humanity’s biggest and most intimate questions. Where do we find forgiveness for ourselves and grace for others? How do we hold on to peace of mind and stay present? What can we—and should we––trust? And how can we moor ourselves to, well, ourselves, in the midst of confusing, trying times? We’re Only Human offers audiences the chance to listen to Carll as he listens to himself.
Dust off your bell bottoms and feed the goldfish in your platforms! Albuquerque’s premier ABBA tribute band is dripping with glitter and fabbalous gold-lined sonic joy that will make you the dancing queen!
Vincent Neil Emerson has become a staple among folk and country music fans nationwide, celebrated for his honest tales of life on the road, heartbreak, and struggles of all sorts. His first LP, Fried Chicken & Evil Women, from 2019, established him as a refreshing voice in the modern country music landscape. The songs from that first album were charming and playful songs, but didn't reveal the entirety of Emerson's story.
On his brilliant new album, The Golden Crystal Kingdom, Emerson transcends the role of a honky-tonk country singer and becomes a chronicler of his history. The album is a bold continuation of the story he tells on Vincent Neil Emerson, with songs like the title track exploring the feelings he was left with after his days spent playing in Texas honky-tonks and dancehalls, and the track "The Time of The Rambler," inspired by the early days of living in his car and busking on the streets.
sign up begins at 7, performance slots limited
Without doubt or qualification, The Sadies are one of this continent's greatest extant rock 'n' roll bands—just as they have been for the last quarter-century. Versatile and imaginative, they skip from astral psychedelia to shuffling bucolics and leap from puckish pop to righteous garage-rock without losing momentum or mastery. Their albums deliver masterclasses on pointed songwriting, lockstep harmonies, and a devil-may-care attitude to expectations and past successes. With their new album Colder Streams out now, check out what Shindig Magazine calls "a stone-cold masterpiece."
Cyril Neville is one of the founding fathers of the New Orleans signature funky soul, rock jazz sound that has influenced countless artists and entertained millions of fans over his 5- decade career. Mr. Neville is a vocalist, songwriter, percussionist, painter, cultural icon and activist who richly deserves his Grammy Lifetime Achievement Award.
AJ Lee & Blue Summit are an award-winning energetic, charming, and technically jaw-dropping band quickly rising on the national roots music scene. Based in Santa Cruz, California, the group met as teenagers, picking and jamming together as kids at local music festivals and jams until one day, they decided they would be a band.
FREE | Tuesdays at 7:30pm
sign up begins at 6:30, performance slots limited
David Ramirez took a little time to get back to himself, and now he’s dead set on making music for himself—for the sake of the music, and nothing else.
“I love all the records I’ve made in the past,” says Ramirez. “But in making them, there was always the thought in the back of my mind of where and what it could get me. I made both creative and business decisions with a goal in mind; a goal that often never came. This time it was all about just the joy of making it, about having fun with it.”
The Austin, TX-based singer-songwriter—whose career has seen six full-length studio albums, three EPs, countless collaborations, and an illustrious supergroup project in Glorietta—spent a season of rest away from his focus on writing songs. In the wake of the end of a long relationship, he wanted to prioritize processing his grief as a human, not as an artist bleeding onto the page.
bending the rules and blurring the lines between bluegrass, newgrass, folk, Americana, with notes of country, blues, and funk